Items (596 total)

Sepia-toned photograph showing Anna Proclemer leaning out of one of the living room window of Mead Farm.

Black and white photograph showing Anna Proclemer with her luggage in the doorway of one of the Duncan's properties.

Black and white photograph showing Anna Proclemer mounted on one of the Duncan family's Arab horses.

Black and white photograph showing Lavinia Lascelles sitting outside with Lavinia Lascelles and a dog. Annotated 'Anna P & Lavinia Lascelles always just a friend' on reverse

Black and white photograph labelled 'Annaliese' on reverse.

Clayden was principal of UCSWE, 1893-1920.

Photograph of general interior view.

Black and white photograph showing Nigel Spottiswoode drinking wine with Aunt Henry at a dining table. Taken in Park Street, off Marble Arch. Marked on reverse in pencil 'The Aunt Henry + Nigel Spottiswoode'.

Sepia toned autographed postcard of Miss Marie Studholme, 1904.

Photograph of B.Ed students from Sokoto, Nigeria

Folded chromo-lithograph plan of Exeter in red printed card cover.

Black and white photograph showing a ballerina posing on Welcombe Beach.

Sepia toned photograph showing Bianca Duncan (Bunny), in the arms of her nurse maid at 12 days of age. It is inscribed on the reverse 'Bianca age 12 days Born Sept 28th 1915'.

Official opening of the Bill Douglas Centre [now known as the Bill Douglas Cinema Museum]. The actor Joanna David opens the Centre flanked by Peter Jewell (left) and professor Duncan Petrie.

Photograph of Birks Grange, former hall of residence at the University of Exeter. Demolished in order to make way for Birks Halls, c 1960.

Black and white photograph of student Common Room in Birks Hall, University of Exeter

Photograph of general exterior view. Birks Halls were completed in 1966.

Photograph of the exterior of the Registry of the University College of the South West, damaged in the Exeter Blitz in May 1942. Most of the college records were also destroyed.

Office of the Blessed Virgin Mary. Includes five pages of manuscript inscriptions by Sister Catherine Witham in the flyleaves at the front of the book.

Sepia toned photographic studio portrait of Briony and Roger as children. The reverse carries miscellaneous notes and lists.