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                  <text>120 manuscript letters by the poet John Jarmain to his wife Beryl with whom he regularly corresponded after being shipped to North Africa and South Italy during the Second World War from June 1942 until November 1943. Some of the letters include drafts of the poems which were later published as a collection, providing an insight into his poetry and the context which inspired it. &#13;
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This digital collection also includes a PDF document containing transcripts of the letters (see https://specialcollectionsarchive.exeter.ac.uk/items/show/698).&#13;
&#13;
Content Advice: This collection contains offensive historical language and viewpoints, which may be uncomfortable or upsetting to read.</text>
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                <text>University of Exeter. The digital object(s) attached to this record are available for you to use for educational purposes only under licence from the University of Exeter.</text>
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                <text>The pond at the Crossmead hall of residence was dredged each summer and used by the students as a swimming pool. &#13;
&#13;
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                  <text>John David Geyton Edmund (d1993) was a local amateur historian who lived in Exeter. For much of his career he was Chief Electrician and Stage Manager at Exeter Theatre Royal, until its closure in 1962. After that he became a lecturer in electronics at Exeter College. His interest in drama continued, as he played an active role in amateur dramatics. He had an interest in many local organisations, serving on the Library Committee of the Devon and Exeter Institute and also training the first Exeter Redcoat Guides in 1987. He was also particularly interested in railways, trams, papermills, Exeter theatres and the Exeter blitz, about which he wrote for local periodicals, including the Transactions of the Devonshire Association and Devon Life.&#13;
&#13;
The strengths of the Edmund Collection lie in local history. The main emphasis is upon Exeter and East Devon, although there is some material from West Devon (such as Plymouth) and Dorset and Cornwall. There are a few more general books in the collection, covering British history. The majority of the items (which includes books, pamphlets, periodicals and maps) covers various aspects of the west country, notably the history of towns and villages and their&#13;
residents. Social history is well-represented with material on religion, transport (particularly railways), education and local myths and legends.</text>
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                  <text>&lt;a href="https://libguides.exeter.ac.uk/ld.php?content_id=34248277" title="Edmund Collection of Local History"&gt;Edmund Collection of Local History&lt;/a&gt;</text>
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                  <text>&lt;a href="http://lib.exeter.ac.uk/search~S3?/medmund/medmund/1%2C1005%2C3387%2CE/2browse/indexsort=-"&gt;Edmund&lt;/a&gt;</text>
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                  <text>&lt;a href="https://www.exeter.ac.uk/departments/library/special-collections/"&gt;University of Exeter Special Collections&lt;/a&gt;</text>
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                <text>"Geographia" Large Scale Street Plan of Exeter</text>
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                <text>[c 1940s-1960s]</text>
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                <text>University of Exeter</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>University of Exeter. The digital object(s) attached to this record are available for you to use for educational purposes only under licence from the University of Exeter.</text>
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                <text>&lt;a href="https://librarysearch.exeter.ac.uk/permalink/44UOEX_INST/1rdi7h6/alma991012784359707446"&gt;Edmund maps 942.359/E30 GEO&lt;/a&gt;</text>
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                <text>Geographia Ltd.</text>
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            <name>Language</name>
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                <text>Folded street plan in a red printed card cover. It including a key to railways, station and bus routes, as well as an index to streets. The date is unknown, but it is assumed to have been made in between the 1940s and 1960s, likely after the Second World War.</text>
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                  <text>Created by Charles Thomas Hudson to illustrate his lectures, the 'Hudson transparencies' are a collection of 58 large framed paintings on paper screens. These visual teaching aids illustrate microscopic organisms and were designed to be viewed backlit in a darkened room. &#13;
Each screen is in a wooden frame, approximately 96cm high by 76cm wide. The paintings are on translucent white and coloured paper, with perforations to create highlights. Thick brown paper forms a mask so that only the image is seen, when lit from behind.&#13;
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&#13;
Hudson's way of working is described in a handout produced by the Biology Department, University of Exeter:&#13;
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                  <text>Hudson; Charles Thomas (1828-1903); naturalist; microscopist; teacher</text>
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                  <text>19th Century</text>
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                <elementText elementTextId="7964">
                  <text>All images, audio recordings and their content are subject to copyright regulations and may not be reproduced without permission from the relevant copyright holder and University of Exeter Special Collections.</text>
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                  <text>EUL MS 442</text>
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                  <text>Hudson Transparencies EUL MS 442</text>
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                  <text>University of Exeter</text>
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                <text>"Stichotricha remex on Anacharis alsinastrum"</text>
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                <text>[Stichotricha remex is now Chaetospira remex (Hudson, 1875).]</text>
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                <text>All images, audio recordings and their content are subject to copyright regulations and may not be reproduced without permission from the relevant copyright holder and University of Exeter Special Collections.</text>
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                <text>“Chonochilus volvox”</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>All images, audio recordings and their content are subject to copyright regulations and may not be reproduced without permission from the relevant copyright holder and University of Exeter Special Collections.</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>University of Exeter</text>
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                  <text>Created by Charles Thomas Hudson to illustrate his lectures, the 'Hudson transparencies' are a collection of 58 large framed paintings on paper screens. These visual teaching aids illustrate microscopic organisms and were designed to be viewed backlit in a darkened room. &#13;
Each screen is in a wooden frame, approximately 96cm high by 76cm wide. The paintings are on translucent white and coloured paper, with perforations to create highlights. Thick brown paper forms a mask so that only the image is seen, when lit from behind.&#13;
It is thought some of these were created in the mid 1880's or later. &#13;
&#13;
Hudson's way of working is described in a handout produced by the Biology Department, University of Exeter:&#13;
'His method was to rough out the portrait of his animal in chalk on a sheet of thick brown paper and then to cut out large areas over which he pasted a thin white paper upon which he painted the appropriate parts. All the more delicate lining was however done by a series of pinpricks. The final results when illuminated from behind are not only extremely accurate portraits of his subjects but quite thrillingly beautiful'</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>All images, audio recordings and their content are subject to copyright regulations and may not be reproduced without permission from the relevant copyright holder and University of Exeter Special Collections.</text>
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                  <text>EUL MS 442</text>
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                  <text>University of Exeter</text>
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              <description>A person or organization owning or managing rights over the resource.</description>
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                  <text>University of Exeter</text>
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                <text>University of Exeter Special Collections</text>
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                <text>All images, audio recordings and their content are subject to copyright regulations and may not be reproduced without permission from the relevant copyright holder and University of Exeter Special Collections.</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>University of Exeter</text>
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